The Antiqua Font

TheAntiquaB TheAntiqua Sun QuaText Corpid Taz Spiegel Sun Floris Nebulae JesusLovesYouAll Punten For the office Thesis family Webfonts Custom Case Studies Gallery About Support Contact. Fonts overview About TheAntiqua TheAntiquaB (14 Styles) Cyrillic, Greek, SmallCaps. TheAntiqua is a typeface designed by, and is available for Desktop. Try, buy and download these fonts now!

The Antiqua Font

Description X.Template es una tipografa Stencil, negra y condensada, con serifas cuadradas de acabado redondeado. Una virguera para diseo de carteles y posters.Thank you for your interest in my font:) This font is free for personal use only.

If you are interested in commercial use, you can buy the license in may redistribute my fonts on your site as long as credit is as the original author. Donations are always welcome:).

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Office 2007 Toolkit Executive. That which shall prove to be the blending of a firm conception of, “useful precedent” and the 15 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive 14 Is not the best kind of originality that which comes after a sound apprenticeship? That which shall prove to be the blending of a firm conception of, “useful precedent” and the progressive tendencies of. 13 Is not the best kind of originality that which comes after a sound apprenticeship?

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Beatrix Antiqua is a humanist sans-serif typeface designed by Francesco Canovaro. Beatrix Antiqua is part of the Beatrix Family that takes its inspiration from the classic Roman monumental capital model: its capitals are directly derived from the stone carvings in Florence Santa Croce Cathedral - where the serifs are often removed while keeping the variable width strokes.

So, even if it's basically a sans-serif, Beatrix keeps a subtle swelling at the terminals suggesting a glyphic serif - in the same vein as Herman Zapf classic Optima typeface. In the lowercase design, Beatrix references early humanist typefaces, keeping small calligraphic details (as the prolongation of the e nose) that are especially visible in the italics. While Beatrix Antiqua, the companion typeface to Beatrix Nova, slightly exaggerates its antique stylistical features, Beatrix Antiqua tries to mix those influence with a classic design, featuring lower X-height and an extended character set that covers over fourty languages using the latin alphabet, as well as Greek and Russian Cyrillic.